A searing commentary on the milieu of the Catholic Church and its intransigent, grueling dictates, regarding young women (novitiates) in their quest to bind forever, becoming “Brides of Christ”, with a Supreme Being, worthy of a lifetime of silence, sacrifice and prayer. The year is 1964 in the midst of the Vatican II Council (1962-1965); roiling, controversial times which changed ... Read More »
There is overwhelming beauty in Stephen Cone’s wonderfully crafted “Princess Cyd”; a successful, middle-aged author, “Miranda” (a character inspired by writer Marilynne Robinson); Rebecca Spence’s glowing, breathtaking performance, infused with wisdom and finesse anchors the film. She invites her sixteen-year-old niece, “Cyd” (Jessie Pinnick is equal to the pairing) to spend a portion of the summer in her Chicago home; ... Read More »
Greek auteur Yorgos Lanthimos’s (“Dogtooth”, “Lobster”) newest, mystifying and cerebral film, resonates with references from Homer’s “Iliad” (8th century BC.); Iphigenia, King Agamemnon’s daughter sacrificed for the war effort against Trojans; and the inadvertent killing, by same Agamemnon, of goddess’ Artemis “sacred deer”; mythological deities excel in catastrophic vengeance, without boundaries, flowing from Mount Olympus embracing both divinities and earthlings ... Read More »
Based on the illustrated novel by Brian Selznick and directed by Todd Haynes (“Carol”) “Wonderstruck” defies demographic categorization; required enchantment, escapism for all audiences. It leaves viewers confirmed in film’s absolute, transformative power. Two children, a boy and a girl, at approximately the same age; generations apart, 1927, 1977; “Ben” (Okaes Fegley), (1977) after the loss of his mother “Elaine” ... Read More »
Rarely do you see a movie that restores complete faith in the transformative element of film, so profoundly imaginative, spiritual, elevating one’s soul and psyche to the realm of “the starry night”; watching this staggeringly beautiful film I experienced wonderment, awe and joy; greatness, love and genuine happiness, basking in its ingenuity. Sharing, with directors Dorota Kobiela and Hugh Welchman, ... Read More »
Because you have asked, at the halfway point, here are a few of my favorites: “THE SQUARE” (SWEDEN, GERMANY, FRANCE). A magnificent, controversial commentary on today’s art world. Will inspire conversations for lovers and detractors on what constitutes and legitimizes an artwork. “THE CAKEMAKER” (ISRAEL, GERMANY). There are not enough adjectives to describe this achingly poignant love story; ... Read More »
Thurgood Marshall (1908-1993) is the paradigm, an icon, encompassing the formative years of the civil rights movement; appointed to the Supreme Court by President Johnson in 1967 his influence has grown exponentially through the decades. Chadwick Boseman nails to the core the young NAACP lawyer, traversing the country, defending innocent black men accused of a crime, based solely on their ... Read More »
There is a compelling, electric magnetism, an aura emanating from Idris Elba, an uncontainable masculinity, captivating, informing his filmic presence; more mesmerizing because he is totally unaffected by its force. An English actor, unknown to me, until my recent exposure to “Luther”, an enthralling BBC crime series, starring Mr. Elba as a damaged but brilliant detective. In “The Mountain Between ... Read More »
Expectations almost instantly squashed, “Victoria & Abdul” is dimensionless, flat and eminently superficial. Dame Judi Dench can imbue the “queenly” into any character and Victoria (1819-1901) is no exception (her second go as the indomitable monarch); but the story of her infatuation and overwhelming attachment for Indian, Muslim “Abdul” (sophomoric Ali Fazal) as a servant, turned teacher “Munshi” is flimsily ... Read More »
Since 1983’s “Risky Business” I have been a major admirer of Tom Cruise; his fearlessness in role selection, never giving a half-hearted performance: “Rain Man”, “Top Gun”, “Jerry Maguire”, but one of the greatest filmic portrayals of all time is his depiction of Ron Kovic in 1989’s “Born on the Fourth of July”, gut-wrenching, metamorphic display of a paralyzed, crazed ... Read More »
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