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MALANG

This Bollywood film, directed by Mohit Suri, is a stunner; magical leads with electrifying chemistry (Aditya Roy Kapur, “Advait” and Disha Patani, “Sara”); plaintive musical score; titillating twists, testing the most intuitive of movie sleuths; it salivates with unrestricted love scenes, prevalent drugs and prostitution; not-so-subtle impotency; revenge served violently, justifiably, icily cold; untoward “coppers”, legitimacy camouflaging malevolent iniquities; Anil ... Read More »

CHHAPAAK (SPLASH) HINDI: ENGLISH SUBTITLES

Director Meghna Gulzar and actor/producer Deepika Padukone bring to the screen the insidiously wicked, immoral, degenerate acid attacks exponentially occurring throughout contemporary India; perpetrated by those ignored, rejected, shunned by women for a myriad of reasons; these crimes are minimally prosecuted, and the penal system, and its forgiving incarceration is a shameful blot on India’s code of conduct/justice. Exquisitely beautiful ... Read More »

DABANGG 3 (HINDI: ENGLISH SUBTITLES)

Salman Khan wrote and stars for the third time as “Detective Chulbul Robinhood Pandy”; an excessive three hour egregious homage to himself; self aggrandizement rarely, if ever, seen on the screen; Khan’s a clone of Narcissus, a mythological figure who fell in love with himself; narcissism at its zenith; inflated physique and ego strutting excessive silliness, stale dance sequences, and ... Read More »

WAR (HINDI: ENGLISH SUBTITLES)

Attention “Action Aficionados”! “War” is a breathless, intoxicating, swashbuckling ride of monumental gratification; in league with the “Matrix”, “Raiders” “Bourne” franchises; Bollywood knows how to capitalize on the “thrill factor”: “Dhoom” and “Don” dynamically roar with excitement; “War” directed by Siddharth Anand, starring seasoned heartthrob Hrithik Roshan and relative newcomer Tiger Shroff (Jackie’s son) score in their excessively elegant martial ... Read More »

SYE RAA NARASIMHA REDDY (HINDI: ENGLISH SUBTITLES)

Epically sensational and overblown but truly a wonder to experience; based on the life of icon, Sye Raa Narasimha Reddy, who championed India’s gory march towards freedom in 1837; Reddy is depicted with pulsating, Herculean prowess by actor Chiranjeevi; as the Emperor of a region in Andhra Pradesh, Reddy initiates a rebellion against the egregious injustices of the British East ... Read More »

DREAM GIRL (HINDI: ENGLISH SUBTITLES)

Leave it to Bollywood, alas, the “dream girl” is a guy! Ayushmann Khurrana is “Puja” the luminary of a call center; his melodious, sensual voice was discovered while starring as “Sita” in the fabled, mythic Ramayana; he “catfishes” and mimics, the “Dream Girl”  of lonely, nerdy men, placating their prurient fantasies; a plodding and surreal scenario; Khurrana, with the aid ... Read More »

BOLLYWOOD DOUBLE HEADER: BATLA HOUSE & MISSION MANGAL (HINDI: ENGLISH SUBTITLES)

What makes both of these films highly watchable is that they are based on actual events and more importantly, the iconic Bollywood stars who supported them with their “starship”. Unlike Hollywood, Bollywood actors have a huge say in the production, plot evolution and outcome of the storyline.  Hunky, handsome John Abraham, tackles the role of ACP Sanjay Kumar in the ... Read More »

SUPER 30 (HINDI: ENGLISH SUBTITLES)

Do not give this film short shrift because of its Bollywood genre. Here is a movie for whoever has been electrified, inspired, challenged, encouraged by an instructor, educator; a teacher whose magnetism moves mountains, drives one to excel, explore unknown, untethered avenues, resulting in lifelong quests in fertile fields,  perpetually nourishing the brain, beyond boundaries, beyond one’s own expectations; its ... Read More »

KABIR SINGH (HINDI: ENGLISH SUBTITLES)

“Kabir Singh”, (Shahid Kapoor), if you are willing to sit through almost three hours of waterboarding torture, focusing on the most despicable character in 2019’s filmdom, the final fifteen minutes, partially placates the pain that preceded the finale; Kabir, a third-year medical student, dictates, threatens, with bodily harm, anyone who comes near “Preethi” (stoically dull, Kiara Advani) a first-year medical ... Read More »

BHARAT (HINDI: ENGLISH SUBTITLES)

Salman Khan, long-reigning Bollywood Beauty Boy, at fifty-three, stars as “Bharat”  (referencing a legendary King), an eight-year-old boy, separated from his father and sister in 1947 during India and Pakistan’s partition; multitudes were traumatized, tortured, bifurcated by this unholy division; what could, should have been a compelling tale, is nothing more than a monumental, pneumatic, testament to Khan’s ego; covering ... Read More »

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