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SANCTUARY (IN THEATRES & AMAZON PRIME)

Twisted. Never have I ever been rendered paralyzed within seconds of watching a film; “Sanctuary” is twisted, debauched, depraved, defiled in a tethered knot; yet, stunningly, mesmerizingly, blazingly brilliant. Director Zachary Wigon in tandem with writer Micah Bloomberg have created a work of inconceivable flair, infused with the astounding artistry of actors Margaret Qualley (“Rebecca”) and Christopher Abbott (“Hal’); a ... Read More »

INDIANA JONES AND THE DIAL OF DESTINY (IN THEATRES)

On a recent trip to Los Angeles, I had the privilege of visiting Lola VFX studio where I witnessed firsthand the de-aging process used in film; a “pod” a machine using algorithms to “analyze and manipulate the actor’s facial features, skin texture and other visual elements”; a remarkable, painless tool that was orchestrated to perfection in “Indiana Jones and the ... Read More »

MASTER GARDNER (STREAMING)

“Gardening is a manipulation of the natural world.” Joel Edgerton gives a perfectly preened performance as “Narvel Roth”, a punctilious horticulturist in charge of dowager’s “Norma Haverhill” (pristinely aged Sigourney Weaver) elegant estate; he is her pawn, carrying out demands both in and outside the mansion. Director Paul Schrader gifts the complicated Roth a robotic intensity: meticulous biographer of floral ... Read More »

THE COVENANT (STREAMING), KANDAHAR (IN THEATRES)

“One cannot count the moons that shimmer on her roofs/or the thousand splendid suns that hide behind her walls.” Saib-e-Tabrizi Two films focusing on the travails of American soldiers and their interpreters in the unchartered, explosive, terrifyingly beautiful landscape of Afghanistan. There is keen edification in both films but Guy Ritchie’s “Covenant” is a more intimate, accurate dissection of the dependency, bond ... Read More »

YOU HURT MY FEELINGS (in theatres)

Constantly being accused of disliking “comedy”; a subjective art form, admittedly there’s a modicum of truth in the accusation; humor to me must be rib-cracking, mascara running, bladder imperiled; guffawing uncontrollably, lusting for a repetition of the hilarious scene. Movies like Woody Allen’s “Sleeper” or Mel Brooks “The Producers” pass the “funny” test but the stellar, iconic funniest film I ... Read More »

BLACKBERRY (in theatres)

I have yet to meet anyone who did not love their BlackBerry; I will be in its debt for eternity; it changed my life (which initially, felt ideal), added a freedom impossible to define and pole vaulted me into the internet marvels of the twenty-first century; still nostalgically mourn its loss. Canadian director/actor Matt Johnson’s tragicomedy about the meteoric rise ... Read More »

ARE YOU THERE GOD? IT’S ME, MARGARET

Doubtfully, has there been a more enchanting film based on a book; Judy Blume’s novels are icons of realism; she excavates the minds, psyches of pubescent children rarely depicted on the page, let alone soaring on the screen; this masterfully profound adaptation resonates with all viewers, regardless of age or demographics. I loved every magical, candid, forthright moment. “Margaret” portrayed ... Read More »

SHOWING UP (in theatres)

Director Kelly Reichardt has made some compelling, transfixing films; “First Cow” and “Certain Women” passed the scrutiny test of most critics. Sadly “Showing Up’s” lethargy exponentially expands as sculptor “Lizzy” (Michelle Williams, in a thirty-three & 1/3 depiction of an artist whose work resembles that of German sculptor Stephan Balkenhol) plodding, comatosely moves through her days; she is more comfortable ... Read More »

HOW TO BLOW UP A PIPELINE (in theatres)

Electrifying and terrifying, sensationally realistic, here is fiction, whose genius lies in its documentary style; writer/director Daniel Goldhaber focuses on disillusioned, disenfranchised, environmental activists whose faith in the system has atrophied; their combined mission is to destroy a pipeline in Texas, alerting the populace to the toxic properties of “oil”, and the companies that deny their culpability and absence of ... Read More »

A GOOD PERSON (THEATRES, AMAZON PRIME)

A GOOD PERSON             (THEATRES, AMAZON PRIME) Not in the frame of mind to define “goodness” or its properties when it comes to an individual, but I know, without debate, a good film and “A Good Person” rocks with verisimilitude from the first scene to its quenching conclusion. Written and directed by Zach Braff, starring ... Read More »

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