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THE PALE BLUE EYE (NETFLIX)

Edgar Allan Poe (1809-1849) and his supernaturally bleak imagination translated into thrilling, titillating prose and poetry, has long held an undeniable fascination, compellingly haunting appeal: “Lenore”, “Annabelle Lee” their absence festers at the heart of Poe’s sensibilities, he mourningly acclaims the expiration of beauty; “the pale blue eye” of the purest ingenue, denied maturity. “The death of a beautiful woman ... Read More »

TIDBITS FROM THE SCREEN & TV

WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY (IN THEATRES) Naomi Ackie (Houston), Stanley Tucci (Clive Davis, record producer) and Ashton Sanders (husband, Bobby Brown) cannot salvage, what should have been a dynamic biopic, from mediocrity. Her blistering rise, from the age of nineteen to her tragic demise at forty-eight, was infused with impending gloom: nasty parenting, drug enabling husband, doomed ... Read More »

LOST ILLUSIONS (FRENCH: ENGLISH SUBTITLES) YOUTUBE

I love foreign films; possibly because of the riveting concentration needed to follow the narrative or maybe because I lust after cultures different from my own, cultures that add to the elasticity of my brain, expand my imaginative landscape and enhance my existence. “Lost Illusions” (winner of 7 categories at 2022 Cesar Awards including Best Film, Best Adapted Screenplay, Xavier ... Read More »

“BLACK PANTHER: WAKANDA FOREVER” (in theatres), “LARGO WINCH” (French: English subtitles), “LADY CHATTERLEY’S LOVER” (Netflix)

“BLACK PANTHER: WAKANDA FOREVER” Overcoming palpable hesitancy, not imagining a “Black Panther” without the epochal Chadwick Boseman (1976-2020), but at the insistence of my youngest and astronomically smart friend, I went; it was every bit as superlative as described and redolently reverential to the deceased actor. Pungently powerful as the technical effects, cinematography, acting acuity, the underlying message of strength ... Read More »

CAUSEWAY (APPLE TV) & THE CALLING (PEACOCK)

CAUSEWAY (Apple TV) Jennifer Lawrence is certifiably a grand actor; her skill reverberates and defines to perfection her every characterization: “Ree Dolly” (“Winter’s Bone”), “Katniss Everdeen” (“The Hunger Games”, Trilogy), “Tiffany” (“Silver Linings Playbook”), the list exponentially expands as she advances to her pinnacle. In tandem with director Lila Neugebauer, Lawrence imbues recovering soldier “Lindsay” (wounded in an explosion in ... Read More »

ALL QUIET ON THE WESTERN FRONT (NETFLIX)

Writer Erich Maria Remarque’s (1898-1970) iconic novel “All Quiet on the Western Front” (1929) film depiction is positively outstanding, compellingly watchable and one of the finest productions on television today; riveting to the point of exhaustion, German director Edward Berger vivisects the naivety of teenagers rallying around the “flag”, ignorant of the hideousness of the battleground; and the immediate, crushing ... Read More »

THE GOOD NURSE (NETFLIX) TICKET TO PARADISE (IN THEATRES)

Two outstanding Academy Award winners (Jessica Chastine, Eddie Redmayne) with exhaustive efforts could not spur viewers to the level of interest, that on paper, should have soddened our attention for its entirety. The good nurse, Amy Loughren (Chastine) emotionally, psychologically, physically must come to terms with the evil embedded in the bad nurse, Charlie Cullen (Redmayne); both actors immerse their ... Read More »

THE GREATEST BEER RUN EVER (APPLE TV)

With trepidation I watched, what initially was a prime example of pure madness, but morphed into a “coming of age” tale never before actualized, nor “ever” will be repeated.  Who, even in an inebriated state, would decide to bring his buddies, serving in the Vietnam War (approximately 1965-1975) a beer, (Pabst Blue Ribbon)? Well, John “Chickie” Donohue (1941-) had the ... Read More »

BLONDE (Netflix)

Tragically titillating expose on the minimal life of Marilyn Monroe (Norma Jean Mortenson, (1926-1962) directed by Andrew Dominik based on Joyce Carol Oats 2000 fictionalized version of her doomed ephemerality. Unfortunately, there are no surprising insights, just predictable salaciousness: a menage trois (Edward G. Robinson Jr. (Evan Williams) and Charlie Chaplin, Jr. (Xavier Samuel); an abusive thug, Jo DiMaggio (Bobby ... Read More »

THE PATIENT, THE CHAMPION (OF AUSCHWITZ) & THE CATHOLIC SCHOOL

THE PATIENT (Hulu) Abashedly, a friend and I walked out of 2005’s “40-Year-Old Virgin” with no regrets, never revisited it; also ignored “The Office”; it wasn’t until “Foxcatcher” (2014) followed by “The Big Short” (2015) and “Beautiful Boy” (2018) that I awakened to the stimulating fact that Steve Carell was so much more than a funny man; incubating beneath a ... Read More »

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