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MORSELS FROM THE SCREEN & TV

“THE HOLDOVERS”            IN THEATRES Poignantly predictable, two contradictory characters (“Professor Paul Hunham”, Paul Giamatti, and student “Angus”, Dominick Sessa), lock horns over a Christmas holiday at a boy’s boarding school; it is 1970 and director Alexander Payne remains true to the era; Giamatti’s curmudgeonly, warm and wonderful performance as a brilliant, flawed ancient civilizations teacher, ... Read More »

ANATOMY OF A FALL (French, English subtitles) in theatres

Watching, this more than watchable film, percolating throughout, director Justine Triet and co-writer Arthur Harari’s (Triet’s husband) premise is the disparity in a relationship, a marriage, a partnership that over a period, success favors one party over the other; “A Star is Born” with a myriad of redundant remakes, echoes the demise of the male protagonist disintegrating with his partner’s ... Read More »

TAYLOR SWIFT THE ERAS TOUR (IN THEATRES)

Taylor Swift, 33 years old, 5’11, more than a Brand, Meme, is a contemporary, effulgent, Megastar; her palpable, preeminent genius in composing, singing, dancing, instrumentalist, transcends the anticipated, soaring into a “Swift” realm, unimaginable, indescribable to a seasoned adult who, apart from her name, was startlingly innocent of her heuristic acuity. More than a film, concert, the Eras (an epoch) ... Read More »

KILLERS OF THE FLOWER MOON (IN THEATRES)

“In the early 1920s, Osage Indians where the richest people, per capita, on the planet.” Director Martin Scorsese’s ambitious, masterfully pointed epic brings to the fore the egregious, manipulative murders perpetrated (for profit) on a tribe that inhabited oil rich land; calculated killings of those Indians, whose marriages to white spouses, gifted the survivors of the deceased, a preordained inheritance. ... Read More »

ZONE OF INTEREST (GERMAN: ENGLISH SUBTITLES) CHICAGO INTERNATIONAL FILM FESTIVAL

Director Jonathan Glazer has accomplished the remarkable in his adaptation of Martin Amis’s novel of the same title (which bears little resemblance to Amis’s script).  The film resonates, pierces the psyche, transcends the scenario, adept performances, it sears redolently with the SOUND of the unimaginable; eyes shut, the soundtrack bleats with symphonic chords of horror, annihilation, ethnic elimination; Mica Levi’s ... Read More »

DEPOT- REFLECTING BOIJMANS (DUTCH: ENGLISH SUBTITLES)

Director Sonia Herman Dolz with painstaking research, hands on acuity, blesses viewers with an extravagant, monumental tour de force; it is a love story of achievement, devotion, bordering on adulation, of the “world’s first publicly accessible art storage facility”; a glimmering, gorgeous space where the impossible, inconceivable is majestically realized. It is a wonder masterfully created by visionary architect, Winy ... Read More »

TO SEE OR STREAM: THE ROYAL HOTEL (IN THEATRES)

Director Kitty Green gifts viewers one of the most innovative, surprising films of the year. Two young Canadians “Hannah” (Julia Garner) and “Liv” (Jessica Henwick) find themselves running out of funds while experiencing the sights, seductiveness of the only country in the world that covers an entire continent, Australia; the daunting vastness minimizes its inhabitants especially in the parched outback ... Read More »

FILMS/SERIES WORTH THE INVESTMENT

“THE ORIGIN OF EVIL”  FRENCH: ENGLISH SUBTITLES   (IN THEATRES & SOON NETFLIX) There is nothing as satisfying as a supreme whodunit, and the French excel at titillation and obfuscation. Actor Laure Calamy, “Stephanie”, in a transformative performance seeks to reunite with her estranged, wealthy father “Serge” (virtuoso role by Jacques Weber); from the onset surprises await at every turn; director ... Read More »

A HAUNTING IN VENICE, DUMB MONEY (IN THEATRES)

Again, Agatha Christie (1890-1976) commands center stage in theatres capturing the enigmatic, floating, watery wonderland of Venice in 1947; atmospherically lyrical, raucous rain clutches archival architecture on ghostly Halloween. An eerie, spooky soundtrack with dashing drawings, resembling works of Edvard Munch, Wiliam Kentridge, and Kara Walker prance across the screen while children render excitement and terror to the decaying mansion ... Read More »

JAWAN (SOLDIER) HINDI: ENGLISH SUBTITLES (IN THEATRES)

For over twenty years I have stalked the dimpled, Bollywood darling, actor Shah Rukh Khan; his reputation has infected screens worldwide, due in part to his total manifestation of characterization, his oeuvre knows no parameters: whether dandy or demon, villain or savior, his combustible, electrifying energy and the depth of his perspicacity has the power to convert even the most ... Read More »

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