After three culturally prodigious days in New York City, days and evenings infused with the majesty of Magritte, Chagall and Shakespeare, I was content being a passive spectator to the post-apocalyptic universe of “Panem”, an autocratically dominated environment where predestination is orchestrated by an amoral “President Snow” (Donald Southerland once again, recreates his delicious, devilishly destructive role). Never having read ... Read More »