Enough. That is what spurred “Allan Karlsson’s” (archival performance by Robert Gustafsson) rebellious act on his century birthday; fleeing the nursing home as they prepare his celebratory feast; he is spry, weary of the quasi-prison he is comfortably cloistered in, the ubiquitous monotony; he escapes, and viewers are treated to one of the most idiosyncratic odysseys in film history. It ... Read More »