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WONDER WOMAN 1984  (HBO MAX)  VS. THE PROFESSOR AND THE MADMAN  (NETFLIX)

WONDER WOMAN 1984 (HBO MAX) VS. THE PROFESSOR AND THE MADMAN (NETFLIX)

Traditionally, Christmas Day is movie mania, in my household; redundancy accomplished, at home, in pajamas with leftovers and my adult pacifier, the remote.

“Wonder Woman 1984” was a wonderous flop, “unsalvageable” by Gal Gadot, Chris Pine; Kristin Wiig as the scatterbrained sycophant, “Barbara/Cheetah” phenomenally miscast (perpetually locked in “Bridesmaids” mode) served as comic relief,  guffawing, fawning until her “wish” is actualized; Pedro Pascal as bad boy “Max Lord” kept the film from total exsanguination, until the task became too overwhelming; poor editing encapsulated viewers in space with superficial, platitudinous prattle for an eternity; bludgeoning message of “be careful of what you wish for” was overelaborated, ad nauseam. A promising commencement was erased the moment “Diana Prince” morphed into adulthood. 

ONE & ½ STARS!

THE PROFESSOR AND THE MADMAN 

Is a superbly well- performed film, revolving around historical figures, Professor James Murray, (1837-1915) (Mel Gibson) and Dr. William Chester Minor, (1834-1920) (Sean Penn); embryonic sources of the Oxford English Dictionary; wordsmiths will be kvelling at the sagacious, prodigious dialogue; Minor was an American army surgeon, institutionalized from 1872-1910 in England for murdering an innocent man; he answers Murray’s plea to submit words for the first edition of the Oxford Dictionary; Minor’s staggering fecundity brought the two together; Gibson and Penn, excavate to the core their personal best in depicting these unheralded geniuses. An “eye for an eye” reverberates in Minor’s exploitation of “assythment”.

FOUR STARS!!!!

Peneflix

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