Peneflix

LEVITICUS (in theatres)

Horror has a powerful appeal for devoted fans across demographics, location, gender, and education. …
UNIDENTIFIED (Arabic with English subtitles) in theatres

Filmmakers are often generous in their observations and perspectives, showing less judgment toward t…
YES (Amazon Prime)

Peneflix rarely reviews films on streaming platforms, but I have been eagerly awaiting this highly c…
DISCLOSURE DAY (in theatres)

In preparation for this enormously edifying film, I watched “Close Encounters of the Third Kind” (19…
POWER BALLAD (in theatres)

In absolute truthfulness the Jonas Brothers did not rent any real estate in my musical realm until N…
PRESSURE (in theatres)

At this point in 2026 meteorologists, aided by advanced technology, are fairly accurate in their for…
BACKROOMS (in theatres)

Magnificent metaphors directed by 20-year-old YouTuber Kane Parsons; visiting the product of his pri…
TUNER (in theatres)

How fortunate that as a young person I recognized the wealth of opera, music, film and the written w…
OBSESSION (in theatres)

By far the most innovative, genuine watchable “horror” films in theatres this year. Director/writer …
THE SHEEP DETECTIVES (in theatres)

Rarely do I visit animated or child appropriate films! I was intrigued by “sheep”, Mary’s little lam…
THE DEVIL WEARS PRADA 2 (in theatres)

Stultifyingly stylish. Twenty years have passed and the characters are unchanged, robotic and strugg…
MICHAEL (in theatres)

Before all the weirdness and withering into whiteness Michael Jackson was the youngest (1958-2009) o…