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Monthly Archives: December 2021


“When the weather outside is threatening” and the warmth of the hearth is beckoning; one’s only option it seems, is to let it stream, let it stream, let it stream: “THE GIRL FROM OSLO”  (NETFLIX).    Intriguing thriller revolving around the kidnapped daughter of a Norwegian diplomat and two Israeli friends, in the Sinai Peninsula; powerfully written and performed the ... Read More »

DON’T LOOK UP (Netflix)

Director Adam McKay’s no-nonsense depiction of a world in flux is a masterful tale infused with truth, blatant warnings, and “what ifs”, if empirical evidence isn’t addressed. Admittedly, I am not fond of cataclysmic, apocalyptic films where the known world is obliterated, leaving ubiquitous detritus and a few unlucky members of the human race, forced to navigate its toxic parameters; ... Read More »

THE TRAGEDY OF MACBETH (in theatres, soon to stream)

William Shakespeare (1564-1616), the “Bard of Avon” has never relinquished the crown of the literary kingdom. Six hundred years after his passing, his works are as prescient, contemporary, as if they were written today: glorified ambition, greed, lust, never stale, outdated, pulsate at the core of the modern era as they did of yore. Blossoming from director Joel Coen’s fecund ... Read More »


For the near future our lives will be pandemically scripted; at the bountiful mercy of the internet we can see classic, vintage, contemporary films, cemented in the confines of our domiciles. As a craver of the genre, after daily duties, I delve into the myriad of streaming choices available, my odds-on favorites: Netflix, Amazon Prime, Brit Box, Hulu, or Roku ... Read More »


Director Guillermo del Toro’s negligibly flawed film is mesmerizing nonetheless; based on the novel by William Lindsay Gresham, “Nightmare Alley” scores the unwholesomeness, uncleanliness of depression era carnivals, billets of misfits, freakish oddities, disenfranchised souls floating from one seedy backwater town to another; terrifying how comfortable the participants are, living on the edge, relishing their depravities; Willem Dafoe is devilishly ... Read More »

WEST SIDE STORY (in theatres)

Regardless of its redundancy Steven Spielberg’s “West Side Story” is a foot-stomping, hip-swiveling, heart-throbbing stampede of choreography, cinematography, and electrifying energy; the legitimacy of the Spanish speaking cast (Sharks) versus the “gringos” (Jets) aka the “entrenched” threatened, rivaled by the “immigrant” is a resounding metaphor for today’s migratory issues. The anxiety percolating at the nucleus of two cultures is exacerbated ... Read More »


Director Paul Verhoeven at 83 is still pungently pushing the boundaries; “Benedetta” (1590-1661) a lesbian nun, who garnished well-known notoriety in the 17th century for her lifestyle, and cosmic visions; exhibited here in lurid detail, the elimination of imagination, a flaw, worth noting, but still scores high grades on the prurient, sensational vector. Actor Virginie Efira tackles the role of ... Read More »


Stephen Sondheim (1930-2021) a behemoth of stage and screen, an influencer, inspirer of countless, including Jonathan Larson (1960-1996) whose momentary existence gifts “Rent” a synopsis of his life; a forever legacy reminiscent of Puccini’s “La Boheme” is an absolute must: “a play about writing a play” with its intoxicating highs and calamitous lows, Lin-Manuel Miranda’s supreme direction, and by far ... Read More »

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