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ONE LIFE (in theatres)

The Talmud (Sanhedrin 37a): “Whoever saves a single life is considered by scripture to have saved the world.” Director James Hawes introduces audiences to Sir Nicholas Winton (1909-2015), played with inimitable force by Anthony Hopkins, a man who saved 699 children from the incendiary clutches of the Holocaust. Johnny Flynn with iconic dignity depicts “Nicky” as a young stockbroker who ... Read More »

CABRINI (Italian & English) in theatres

In a century long ago, I attended a party, primarily of strangers; as we entered the venue, a person of renown was taped to our backs; we were required to give hints to other attendees as to the personage whose name they bore; it was a stunning way to make new comrades, but alas I never guessed who steadfastly remained ... Read More »

PENEFLIX 96TH OSCAR REVIEW: A FOUR STAR!!!! PRODUCTION

Surpassing the previous years in spades! Flawlessly groomed, styled, coiffured and glamorous presenters, nominees; absolutely absent, fashion flubs; Emma Stone’s sliding dress served as “Bella’s” redundancy, revealing no surprises. Jimmy Kimmel, as host, perfected his timing, eliminating blatant, below the belt sarcasms; but struck a humorous jab to the inimitable, predictable, brassy belligerence of D.T.; adding only humor, not “greatness” ... Read More »

DUNE: PART TWO (IN THEATRES)

MAGNIFICENT! Here is a film of such overwhelming beauty, strength, majesty nothing short of envy resonates for the mind behind the vision; director Denis Villeneuve focuses, with glorious acuity, on the science fiction novels of Frank Herbert (1920-1986), generating a reverence rarely visited upon the screen. As a neophyte and poorly schooled (by choice) in the realm of Jules Verne, ... Read More »

PENEFLIX 96th OSCAR PREDICTIONS

2023 was a spectacular, banner year for films. Never have I given so many Five Star credits, or rarely have I visited movies more than once; 2023’s products were more than worthy of multiple exposures. Without listing all the choices in each category, I will gift you, faithful readers, my number one picks in the myriad of classifications: BEST PICTURE: ... Read More »

PENEFLIX OSCAR PREDICTIONS

2023 was a spectacular, banner year for films. Never have I given so many Five Star credits, or rarely have I visited movies more than once; 2023’s products were more than worthy of multiple exposures. Without listing all the choices in each category, I will gift you, faithful readers, my number one picks in the myriad of classifications: BEST PICTURE: ... Read More »

ORIGINS (in theatres)

You do not have to have read Isabel Wilkerson’s 2020 “Caste: The Origins of Our Discontents” to grasp the intensity and legitimacy of her nascent premise; it is not about color, it is “about dividing society into hereditary classes”: born a slave, progeny, slaves; born a Jew, destined for discrimination; born an untouchable (Dalit) children distinguished as polluters of society; ... Read More »

ZONE OF INTEREST (GERMAN: ENGLISH SUBTITLES)

Director Jonathan Glazer has accomplished the remarkable in his adaptation of Martin Amis’s novel of the same title (which bears little resemblance to Amis’s script).  The film resonates, pierces the psyche, transcends the scenario, adept performances, it sears redolently with the SOUND of the unimaginable; eyes shut, the soundtrack bleats with symphonic chords of horror, annihilation, ethnic elimination; Mica Levi’s ... Read More »

FERRARI (in theatres)

Adam Driver depicts Enzo Ferrari (1898-1988) with a silent, somber steeliness as he navigates his failing automobile empire while balancing his grieving wife Laura (1900-78) played with a poignancy rarely seen in film by Penelope Cruz; (they lost a son, Dino (1932- 1956) to Duchenne muscular dystrophy) and his mistress Linda Lardi (shallow, insubstantial, insignificant performance by Shailene Woodley) and ... Read More »

BOYS IN THE BOAT (in theatres)

Director George Clooney’s “Boys in the Boat” radiates with pure chauvinistic joy; flows like a divine fairy tale, but is redolently true; a tale of underdogs, besting the odds; a triumph set in the heart of the depression, a rags vs riches scenario igniting a long-lost pride in our bruised but immaculate country. Based on the 2013 bestseller by Daniel ... Read More »

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