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BOLLYWOOD DOUBLE HEADER: BATLA HOUSE & MISSION MANGAL (HINDI: ENGLISH SUBTITLES)

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What makes both of these films highly watchable is that they are based on actual events and more importantly, the iconic Bollywood stars who supported them with their “starship”. Unlike Hollywood, Bollywood actors have a huge say in the production, plot evolution and outcome of the storyline.  Hunky, handsome John Abraham, tackles the role of ACP Sanjay Kumar in the ... Read More »

SUPER 30 (HINDI: ENGLISH SUBTITLES)

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Do not give this film short shrift because of its Bollywood genre. Here is a movie for whoever has been electrified, inspired, challenged, encouraged by an instructor, educator; a teacher whose magnetism moves mountains, drives one to excel, explore unknown, untethered avenues, resulting in lifelong quests in fertile fields,  perpetually nourishing the brain, beyond boundaries, beyond one’s own expectations; its ... Read More »

KABIR SINGH (HINDI: ENGLISH SUBTITLES)

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“Kabir Singh”, (Shahid Kapoor), if you are willing to sit through almost three hours of waterboarding torture, focusing on the most despicable character in 2019’s filmdom, the final fifteen minutes, partially placates the pain that preceded the finale; Kabir, a third-year medical student, dictates, threatens, with bodily harm, anyone who comes near “Preethi” (stoically dull, Kiara Advani) a first-year medical ... Read More »

BHARAT (HINDI: ENGLISH SUBTITLES)

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Salman Khan, long-reigning Bollywood Beauty Boy, at fifty-three, stars as “Bharat”  (referencing a legendary King), an eight-year-old boy, separated from his father and sister in 1947 during India and Pakistan’s partition; multitudes were traumatized, tortured, bifurcated by this unholy division; what could, should have been a compelling tale, is nothing more than a monumental, pneumatic, testament to Khan’s ego; covering ... Read More »

INDIA’S MOST WANTED (HINDI: ENGLISH SUBTITLES)

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Director Raj Kumar Gupta’s history lesson lionizes unheralded, contemporary intelligence officers who captured Yasin Bhatkal (Founder of India’s Mujahideen, terrorist organization) in Pakistan on August 13, 2013. The feat claims remarkability because five men, led by Prabhat Kapoor (Arjun Kapoor, no relation) entered Pakistan, weaponless not witless, tracked, cornered, captured the culprit and escaped without harm; the intensity is not ... Read More »

PHOTOGRAPH (HINDI/ENGLISH)

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Mahatma Gandhi soulfully believed “the future of India lies in its villages”, invisible in “Photograph”, director Ritesh Batra (“Lunchbox”) achingly, hauntingly, throughout the film, references the poignancy, simplicity, pains, banes of rural existence; yearly, millions of young men and women flood major Indian cities, live in squalor, sending their negligible rupees back to their bereft families. “Rafi” (sublimely subtle, Nawazuddin ... Read More »

KALANK (STIGMA) HINDI: ENGLISH SUBTITLES

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Director Abhishek Varman’s ravishing epic, highlighting a triangular love affair in Lahore, Pakistan before the 1947 partition from India, scores with its whimsically wonderful cinematography, elaborate, exultant chorography and staggeringly sensational performances: Varun Dhawan, “Zafar” with well-oiled, pneumatic pectorals, is the illegitimate offspring (Kalank) of a Muslim/Hindu assignation who woos “Roop” (naively, pungently sensitive Alia Bhatt) in an arranged marriage ... Read More »

ROMEO AKBAR WALTER (HINDI: ENGLISH SUBTITLES)

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Bollywood’s hunky heartthrob John Abraham (“Force” films) dons three nom du plumes for this spy thriller revolving around the 1971 Indo-Pakistani war (12/3/71-12/16/71)  resulting in the birth of Bangladesh; Abraham is introduced as a droll banker “Romeo” who substitutes his income as an impersonator; he is recruited by RAW’s (Research And Analysis Wing) Chief “Shrikani Rau” (Jackie Shroff at his ... Read More »

KESARI (SAFFRON), (HINDI: ENGLISH SUBTITLES)

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Bollywood strokes its historical conflicts with iconic reverence, immense spectacle, lionization of its heroes, spectacular cinematography plus gifts adulation and exaggerated license, especially in India’s march towards doffing the shackles of British domination (“Gandhi”, “Mangal Pandey”,”Padmaavat”); “Kesari” vibrantly speaks to the “Battle of Saragarhi” between Sikh soldiers of the British Indian Army and Afghan Pashtun tribesmen; the film concentrates on ... Read More »

BADLA (HINDI: ENGLISH SUBTITLES)

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If you have seen “The Invisible Guest” 2016’s Spanish version of the same theme you will not be shocked by “Badla’s thrilling conclusion; except for switching the gender of the protagonists, this is a consummate clone,  every bit as titillating; starring, in his finest role in years Amitabh Bachchan as “Badla Gupta” a lawyer hired to defend “Naina Sethi” (remarkable ... Read More »

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