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FINAL ANALYSIS OF THE CHICAGO INTERNATIONAL FILM FESTIVAL

For 50 years (the oldest competitive film festival in the United States) one man has reigned, commanded with prescience, inimitable courage and foresight at the helm; channeling its vision universally, fifty-two countries displayed their features in this year’s festival; fearlessly, a parameter-destroyer, a man whose indefatigable initiative has never waned, gifting viewers a perpetual avalanche of entertainment. Michael Kutza is ... Read More »

ON BEAUTY (HIGHLIGHTED DOCUMENTARY AT THE CHICAGO INTERNATIONAL FESTIVAL)

Director Joanna Rudnick’s remarkable iconoclastic commentary on traditional, expected norms of beauty: thin, waif-like, gauntly-chiseled countenances, leggy models who grace the covers of fashion magazines are replaced, shattered by the inimitable photographer Rick Guidotti who sees beyond the facade and unearths, brings forth the gorgeousness of those with physical aberrations; “disfigured” by Albinism, hypo –pigmentation, Sturge-Weber syndrome and chromosome 18 ... Read More »

MISS JULIE (OPENING FILM OF THE CHICAGO INTERNATIONAL FILM FESTIVAL)

Swedish playwright August Strindberg (1849-1912) wrote “Miss Julie” in 1888; son of a bankrupt aristocrat and a waitress, his troubled and tumultuous childhood infused his remarkable writings, none more so than “Miss Julie”; a play resonating with class warfare, misogyny, “hysteria” (a Victorian reference to female sexual frustration), borderline schizophrenia; shocking fodder for a straight-laced society at the turn of ... Read More »

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