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THE GREAT GATSBY

F. Scott Fitzgerald died in 1940,  at the age of forty-four: impoverished, never to know the immensity of the literary legacy that continues to enthrall, captivate and hypnotize readers and movie audiences seventy-three -years after his premature passing. Baz Luhrmann’s adaptation of the iconic classic is a stylized, gaudy, formulaic extravaganza of mythic proportions; palaces of Disneyland size and style; ... Read More »

THE RELUCTANT FUNDAMENTALIST (IN THEATRES AND ON DEMAND)

Based on the 2007 novel by Moshin Hamid, directed by Mira Nair, far exceeded the limited and problematic boundaries of the book; blatant honesty informs intelligent characters: flawed, wounded, irrevocably altered by heinous, untoward circumstances; Ms. Nair and fine acting gift viewers a raw, realistic, radical story of metamorphosis, indoctrination, transformation from the benign to “the reluctant fundamentalist” . Riz ... Read More »

PAIN & GAIN

It will take years of the therapeutic process to conclude “why” , with knowledge and foresight, I went to see this terrifically awful film; questioning the soundness of my mind, the stability of of my judgment I can only surmise I suffered from a temporary loss of sanity or a petit mal seizure. Based on a true story which transpired ... Read More »

MUD

Matthew McConaughey, son of a gas station owner,  first captured and glued my attention in the 1996 “A Time to Kill”; he has had some bad films (“Ghosts of Girlfriends Past”) but throughout his career, the forty-four- year old actor has been incredibly perspicacious in role selection. As “Mud” he excels, as a good- hearted miscreant who manipulates two fourteen ... Read More »

DISCONNECT

Riveting, thrilling “Disconnect” is paradigmatic of the twenty-first century’s addiction to cell phones, internet; obsessed with 24/7 connectivity; diners, noncommunicative spheres; emailing, texting, eating, “I tweet, therefore I am”; constant collisions on streets and sidewalks; coffee shops, airports are hotbeds of the colossal mania to Twitter, Skype; Facebook has electrified, energized relationships, correspondence; also piloting the death of introspection. Director ... Read More »

OBLIVION

In recent years there has been a monumental surge of apocalyptic films, highlighting the devastation, detritus, bruised and broken monuments and sparse inhabitants roaming in lawless, “survival of the fittest” abandonment: “The Road”, “The Book of Eli”,  “Warm Bodies”, “Walking Dead”, upcoming “After Earth” ; all of these films resonate powerfully with  young audiences, a conundrum I found mystifying until ... Read More »

THE COMPANY YOU KEEP

Many remember the days of riots and ruination; 1968, the Democratic Convention in Chicago gave birth to the “Chicago 7”, “Weatherman” “Weather Underground”, “Revolutionary Youth Movement”; sad, delusional, debilitating time when young people worldwide violently protested America’s involvement in Vietnam; a war that altered America forever; creating the division between modern and post modern society; people of promise, jailed or ... Read More »

TRANCE

Terrific acting informs this convoluted conundrum of flashbacks revolving around the theft of a Francisco Goya (1746-1828) painting (“Witches in the Air”); which is where the audience hovers between nonfiction and the twilight zone; Danny Boyle’s slick scenario, at best, is masterful manipulation but flounders when dealing with the consequences of the therapeutic process focusing on hypnosis (“trance”) and those ... Read More »

42

Heroes. We know them. We read about them. They come in all shapes, sizes, hues, genders, ages. Ranging from the six-year-year-old who saves a classmate from a bully;  policemen preserving civility; firemen saving victims from conflagrations; a bystander chasing a perpetrator to redeem a stolen purse. There are a myriad of ways that “heroes” are made: some born, the majority ... Read More »

THE PLACE BEYOND THE PINES

A romantic title that spins a trilogy of stunning believability; structurally perfect, intrinsically flawed; grossly thought-provoking; fervently strong commencement, weakens as it progresses but not enough to maim the entertainment value. Ryan Gosling, staggeringly fine in his portrayal of “Luke” a circus performer, whose virtuoso on a motorcycle matches the wizardly of the tattoo masters who have referenced every artistic ... Read More »

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