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Actor Jim Caviezel (“The Passion of Christ”, “Person of Interest”) is a keen advocative of Catholicism, secure in his proselytism; comfortable in debating its attributes, but open to a dialogue between faiths; his galvanizing performance as “Doug Rawlins”, a Christian blogger, kidnapped by members of the Iranian regime after a conversion plea to a Muslim audience in Cairo, Egypt, is ... Read More »


Despite the political hubris, here are two films, whose attributes render the purist forms of entertainment: magically, magnificently filmed, landscapes proving a higher power, extraordinary metaphors universally resonating in this pandemic period; in spite of the controversy bubbling around the mythical “Mulan” or the veracity of the non-fictional “The Eight Hundred” directors Niki Caro’s (“Mulan”) and Guan Hu’s (“The Eight ... Read More »


A palindrome that redolently focuses on “the present being attacked by the future”; monumentally taxing, I suggest not trying to decipher the convoluted, premise of inversion; just enjoy the fecundity of director Christopher Nolan’s imaginative display of endogenous variables; pandering to brainiacs, those, whose wired acuities, grasp the dynamics of the ancient Sator square, a four-directional palindrome. Or do as ... Read More »


Stunningly edifying is director Thor Freudenthal’s “Words on Bathroom Walls” based on the book by Julia Walton; brilliantly depicts the horrifying challenges of living, adapting, coping in a “normal” world, with schizophrenia; this film, which should be universally viewed, will strip any preconceived ideas about the affliction, clarify the exacting demands visited upon its victim: we see the “unseen people” ... Read More »


Russell Crowe performs well as evil incarnate in director Derrick Borte’s “Unhinged”, tale of road rage on steroids. The opening scene is a commentary on today’s destructive chaos: rioters, looters, volatile, palatable hatred between strangers as they navigate highways, intersections, congested avenues. Mimicking the carnage exhibited in Portland, Chicago, Los Angeles, exhibiting a reality that should only be fiction. We ... Read More »


After a five-month drought it was déjà vu and weirdly comforting returning (masked) to the same theatre I frequented on Friday March 13, 2020: the historical shut down; strangely, familiarity did not breed contempt: unchanged, were the identical theatres, alphabetized rows, even the bathroom graffiti and malfunctioning toilets seemed welcoming in their constancy; time, frozen in its evasion of a venue that celebratespast, present and future.  Director ... Read More »


I live in a magnificent, powerful, strong metropolis; a lake enhances its beauty, even its pandemic infections did not cauterize its optimism. Now “is the summer of our discontent” egregious factions are cannibalizing our streets, bulldozing commercial property, destroying at whim our civility, our neighborhoods; orchestrated destruction erasing confidence, hope, faith in a future of cohesiveness, tranquility, where factions are ... Read More »


Based upon J.M. Coetzee’s 1980 novel of the same title is a giant metaphor for imperialism in any form and the country it infects; Great Britain, the crowning imperialist, gobbled chunks of: 13 American colonies, Canada, India, Australia, New Zealand and Africa; we do not have to wait for the “barbarians”, they arrive instantaneously in the guise of “Colonel Joll” ... Read More »


The Franco brothers (James, Tom and Dave) continue to impress with their prodigious capabilities; conquering a myriad of disciplines: acting, painting, art collectors, screenwriters, producers, directors; intelligence informs their ambitions and they are unafraid of unchartered frontiers. Dave Franco’s directorial debut, “The Rental”, had promise, commencing with brothers “Charlie” (Dan Stevens, “The Guest”) and “Josh” (Jeremy Allen White), renting with ... Read More »


Of the countless films, programming, entertaining options viewed over the last five Covid months, “Greyhound” suffered pivotally from the pandemic; reminiscent of Christopher Nolan’s 2017’s “Dunkirk”, its magnificence needed the vastness of a cinematographic experience, instead of the confinement (regardless of the screen size) of an in-house exploitation; Tom Hanks exponentially, through the years, has matured as an actor and ... Read More »

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