Once again February has shed prominence on the stars, movies and those behind the scenes. This year is the most difficult, challenging to date, due to the range and diversity of the films and nominees. I feel there should be separate categories for drama and comedy. I also question “Roma” being in “Best Movie” and best “Foreign Film” categories. Every ... Read More »
From its inception, this epically grand film (188 minutes) ambushes one’s attention, and in my case, has not relinquished its hold, days after experiencing it; a phenom, magnificent in scope, narrative and vision; hypothetically based on the life of celebrated painter, Gerhard Richter (1932); director Florian Henckel von Donnersmarck (“The Lives of Others”) tackles the ambiguity of artistic modes, meandering, ... Read More »
Once again February has shed prominence on the stars, movies and those behind the scenes. This year is the most difficult, challenging to date, due to the range and diversity of the films and nominees. I feel there should be separate categories for drama and comedy. I also question “Roma” being in “Best Movie” and best “Foreign Film” categories. Every ... Read More »
Iranian filmmaker Asghar Farhadi initially, stealthily seizes one’s attention from the moment you enter his filmic realm; winner of two Academy Awards for Best Foreign Film: “A Separation” (2011 ) and “The Salesman” (2016), he capitalizes, while simultaneously allowing viewers to interpret, the depth of the human condition. What I admire about his filmmaking is the level of intimacy, innate conflict ... Read More »
Incredible story, splayed across the screen, the entire spectrum of India’s predilections, intransigent traditions, contemporary culture; miraculously, even if you have never graced this remarkable, multi-faceted country, “Gully Boy” brilliantly, presciently, metaphorically, gifts viewers a redolent insight into the real India; director Zoya Akhtar stunningly, visually portrays in 2 1/2 hours what authors Salman Rushdie, Amitav Ghosh, Jhumpa Lahiri, Vikram ... Read More »
Norwegian film director, Hans Petter Moland recreates his successful 2014 “In Order of Disappearance”, starring Stellan Skarsgard (“Nils”) with an American version; Liam Neeson (“Nelson”) is a benign snow-plow driver, turned revenge serial killer after his son “Kyle” (Neeson’s real-life son, Michael Redgrave) is mistakenly murdered by egregious drug traffickers; Colorado’s glacial mass and unforgiving, antagonistic, snowbound roads serve as ... Read More »
Once again February has shed prominence on the stars, movies and those behind the scenes. This year is the most difficult, challenging to date, due to the range and diversity of the films and nominees. I feel there should be separate categories for drama and comedy. I also question “Roma” being in “Best Movie” and best “Foreign Film” categories. Every ... Read More »
A nameless man, ambushed by a gorgeous, magnificently hostile, intransigent landscape, architects his survival; his doomed airplane and fishing expeditions keep him alive; Mads Mikkelsen’s performance is miraculous, imbued with astounding strength, tenacity and goodness; he rescues a wounded woman (Maria Thelma Smaradottir) after her plane and husband have perished; his phenomenal resourcefulness gifts viewers a look at a mythical, ... Read More »
Dimpled, dazzling Taraji P. Henson registered as a dynamic, minimally heralded performer on my inventory of “actors to track” when she played detective “Joss Carter” on television’s “Person of Interest” (2011-2016, Joss was eliminated in the third season); her career, stunningly escalated in 2016’s “Hidden Figures” with her brilliant depiction of NASA mathematician, Katherine Johnson (1918-), in director Adam Shankman’s ... Read More »
1,700 Jews survived World War II living in Berlin; “The Invisibles” is Germany’s remarkable testament, lauding the indomitable survival instincts of four who defied the odds and lived. Archival interviews with the aged survivors, interspersed with actors depicting their youthful travails, is riveting filmmaking; director Claus Rafle, without blinders, creates a masterpiece, recognizing not only the temerity of the Jewish ... Read More »
Peneflix MOVIE REVIEWS BY PENEFLIX
