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Monthly Archives: April 2022

BALTHAZAR 4TH SEASON (Amazon Prime); JERSEY (HINDI: ENGLISH SUBTITLES) in theatres

“BALTAZAR”  Never have I grieved more for a fictional character than at the bleak conclusion of “Baltazar’s” third season; other protagonists have sequestered permanent residency in my memory vault: House, Foyle, Morse but none possess the illumination,  compelling endearment, concrete charm of “Raphael Balthazar”; Tomer Sisley’s Herculean portrait of the forensic pathologist is slathered in cunning, inimitable style, grace, insouciant ... Read More »

THE NORTHMAN (IN THEATRES)

Magic percolates within the carnage of director Robert Eggers (“The Lighthouse”) “The Northman;” seething with Norse mythology, witchcraft, vengeful promises; audiences are submerged in Viking lore, reminiscent of the hierarchy in Shakespeare’s “Hamlet” and King Arthur’s legendary sword Excalibur; a murdered King, kidnapped mother/wife and a son predestined to repeat the legacy. Alexander Skarsgard with heft and bravado depicts the ... Read More »

BOLLYWOOD & STREAMING MOVIES

“KGF CHAPTER 2”                 (HINDI: ENGLISH SUBTITLES)  THEATRES  Bombastically challenging is the second chapter of Robin Hood facsimile, “Rocky”, a humble boy who rises to gargantuan wealth, power and inspiration of the lower classes; Bollywood hunk, Yash, stars as the gilded gangster (generating adulation in India’s youth) and his monumental physique dominates every pungent, cacophonous moment of this action infused, bloody, ... Read More »

TO “STREAM” OR “SCREEN”

“THE ANDY WARHOL DIARIES”     (NETFLIX)  Excellent, introspective, comprehensive study of a man who changed the medium, meaning of what constitutes “art”; Andy Warhol bulldozed the “pedestal”, “frame”, “vitrine”; rising above traditional “cross & crown”, the angst of Abstract Expressionism, focusing on contemporary, every day, and universal fascination with fame: television junkies, voyeuristic tabloids, shocking sensationalism of untimely demises, race riots, ... Read More »

YOU WON’T BE ALONE (IN THEATRES)

Gratuitous gore, guts and inhumaneness inform the premise of writer/director Goran Stolevski’s film, located in 19th century Macedonia; witches, lusting after the blood of newborns, muting infants; girls are the ultimate prey, transformed into cannibals, they mutilate with impunity, slaughtering for revenge, power; anthropophagites devouring each other, only to become the devoured; savagery stars in this baseless thriller; identity wallows ... Read More »

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