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THUGS OF HINDOSTAN

Bollywood Goliath, Aamir Khan, stars in this 3-hour, monolithic saga, revolving around English/Indian travails in the late eighteenth, early nineteenth centuries; costing 200 crores (topping 2 billion dollars) the film is a total dud, and the worst movie Khan has ever made; his character “Firangi” weakly reminiscent of Johnny Depp’s in “Pirates of the Caribbean” is a conniving, duplicitous buffoon; ... Read More »

PENEFLIX IS ON A TWO WEEK SABBATICAL

For over eleven years and 1000 plus reviews, my sporadic filmic intermissions rejuvenate, not only my spirit, but how I view films; the escapism of movies, relief from reality, a hiatus from daily duties, is healthy, but has to be balanced with the flavor of things as they actually exist; blinders off, focusing on globalization and its effects on the ... Read More »

GOLD (HINDI: ENGLISH SUBTITLES)

Bollywood gifts celestial status to India’s sport triumphs: “Chak De India”, women’s hockey; “Lagaan”, cricket, “Iqbal”, cricket; “Bhagg Milkha Bhagg”, running; director Reema Kagti’s “Gold” effortlessly, smoothly claims its fate with the icons; more than an historical regaling of India’s Olympic exultations in field hockey, under British rule, the film invigoratingly, pungently follows its birth on the world’s stage as ... Read More »

FANNEY KHAN (HINDI: ENGLISH SUBTITLES)

Bollywood’s version of Lee Daniels’, 2009 “Precious”; a galvanizing lesson to never judge “a book by its cover”; director Atul Manjrekar’s “Fanney Khan” incorporates much of the traditional Bollywood aesthetic: torrents of tears, scintillating songs, dramatic dance sequences, but it is the performance of Pihu Sand, “Lata Sharma” (similar to Gabourey Sidibe, in “Precious”) that stupendously soars with irresistible, incredible,  ... Read More »

BEST FILMS OF 2018 TO DATE:

So many of you have requested this filmic information. They are listed as I have seen them. For reviews check Peneflix archives, everyone’s taste is infused with different flavors; READ reviews before viewing; consider yourself forewarned. I love the twisted, foreign, horror genres along with soapy, platitudinous, sentimental, saccharine fare. BLACK PANTHER OPERATION RED SEA (CHINESE) LOVE, SIMON FOXTROT (ISRAEL) ... Read More »

SANJU (HINDI: ENGLISH SUBTITLES)

Director Rajkumar Hirani (“PK”, “3 Idiots”, “Monna Bhai M.B.B.S.”) creates a viscerally stunning film based on the legendary Bollywood “bad boy”, Sanjay Dutt (1959-) son of iconic parents , Sunil Dutt (1928-2003) and Nargis (1929-1981) a love partnership commencing with the filming of “Mother India” (1957); multi-proficient, Sunil, acted, directed, played a dominant role in politics; Sanjay felt emotionally dwarfed ... Read More »

VEERE DI WEDDING (HINDI: ENGLISH SUBTITLES)

Bollywood is massively productive in releasing, at a minimum, a thousand films a year; the vast majority with a predictable happy ending; an escape from the banes of tedium and angst. But the tragic conclusions, forever resonate in the consciousness of those who experienced them: “Devdas”, “Anand”, “Rang De Basanti, “Kal Ho Naa Ho”, are a few classics. It is ... Read More »

RAAZI (HINDI: ENGLISH SUBTITLES)

Diminutive, dazzling Alia Bhatt conquers stardom with her dynamic performance as  “Shemat” a Muslim girl willing (raazi) to sacrifice her life for the love of India; marrying a Pakistani man “Iqual” (Vicky Kaushal), she fills her dying father’s (Rajit Kapoor) wish, to take his place as a spy for India; the story revolves around the Indo-Pakistani 1971 war. “Raazi” is ... Read More »

OCTOBER (HINDI: ENGLISH SUBTITLES)

Director/producer Shoojit Sircar and actor Varun Dhawan have created the unexpected from Bollywood; “October” is a quiet, introspective film, centering on two young people, training at a five-star hotel in Delhi, India. “Dan” (Dhawan) is flippant, “Brahminesque” in his attitude toward his employers and patrons; at twenty-one, the world is his lotus flower and he assumes it always will be. ... Read More »

PADMAVATI (HINDI: ENGLISH SUBTITLES)

For twelve years Peneflix, along with Hollywood and Foreign, has focused on the Bollywood genre; mastering the salacious gaze, nubile, partially clothed, perpetually running, tearful heroes and heroines now rank on the entertainment scale of Western audiences. Ancient, epic poems, myths, tales: “The Ramayan”, The Mahabharata”/ “The Bhagavad Gita”, reference the way one should conduct one’s life, mimicked by The ... Read More »

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