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HOME BEFORE DARK (APPLE TV

Karmically, randomly one stumbles, without intent or purpose, upon a series so deliciously, devastatingly dynamic, one questions how/why it escaped one’s filmic radar screen; writer/director Dana Fox’s ardent, innovative, interpretation of real life, nine-year-old journalist, crime solver, Hilde Lysiac is worthy binging for all ages.  “Home Before Dark” soars with the magical, mesmerizing, spellbinding Brooklynn Prince as “Hilde Lisko” solving ... Read More »

BLUDGEONING COVID BOREDOM

THE QUEEN’S GAMBIT  (NETFLIX): is a soaring series, devoted to the intricacies of chess, and the fragility of human nature; orphaned at the age of nine, “Beth Harmon” (Isla Johnston/Anya Taylor-Joy) discovers in the bowels of the orphanage a maintenance man (“Mr. Shaibel”, depicted brilliantly by Bill Camp) whose dedication to the game of chess, ignites a passion that steers ... Read More »

THE HAUNTING OF BLY MANOR (NETFLIX)

The treasured unknown, a plague of confusion; riveting intelligence reverberates at the core of this stunning interpretation of Henry James’s “The Turn of the Screw”; demanding a malleable, pliable intellect, “The Haunting of Bly Manor” guarantees troubling, taunted dreams, questioning the unseeable, but tangible nonetheless. For those who have experienced Déjà vu, possess a “sixth sense”, second sight, or share the attributes of Macbeth’s witches, an inexplicable clairvoyance, your receptiveness will be ... Read More »

MURDER MOST FOUL

Always a sleuth advocate: “Columbo”, “Kojak”, “Cagney & Lacey”, “Remington Steele” satiated by a weekly dose of mystery, murder and mayhem, my thirst for the macabre has grown exponentially through the years. Here are some suggestions guaranteed to quench one’s appetite for an enigmatic, inscrutable conundrum: “AMERICAN MURDER: THE FAMILY NEXT DOOR” (Netflix) director Jenny Popplewell’s true crime documentary focuses ... Read More »

THE COMEY RULE (SHOWTIME)

Tuesday evening the world witnessed, Live, the nadir of American politics: slaughter of civility, denigration of a morality we should expect and categorically deserve from our leaders; instead, like the murder of George Floyd, the supposed head of the free world and his challenger failed the populace, shocking with stunning vituperative, scurrilous verbiage, murdering decency: an amoral bully, pledging not ... Read More »

I SEE YOU (NETFLIX) THE GIRL IN THE FOG (ITALIAN: ENGLISH SUBTITLES) AMAZON PRIME

Two mysteries created to titillate the most seasoned of “series” or movie sleuths; missing murdered children, myriad of homicidal possibilities; both infused with an appropriate modicum of barbarity, enough to stave off ennui, and most importantly, capitalize on the element of surprise. “I See You” commences benignly with the search for a missing teen: Jon Tenney (“The Closer”, “Major Crimes”) ... Read More »

MULAN (DISNEY+) & THE EIGHT HUNDRED (CHINESE:ENGLISH SUBTITLES)

Despite the political hubris, here are two films, whose attributes render the purist forms of entertainment: magically, magnificently filmed, landscapes proving a higher power, extraordinary metaphors universally resonating in this pandemic period; in spite of the controversy bubbling around the mythical “Mulan” or the veracity of the non-fictional “The Eight Hundred” directors Niki Caro’s (“Mulan”) and Guan Hu’s (“The Eight ... Read More »

TRAIN TO BUSAN (KOREAN: ENGLISH SUBTITLES) NETFLIX & SEQUEL, PENINSULA (THEATRES)

Korean filmmakers are “kings of creep” and the horror genre topples the titillation scale with their imaginative creativity; a genre that seems to have exponentially grown with the pandemic; things can degenerate and viewing these films confirms the worst case scenario.  Director Yeon Sang-ho scores with an allegorical tale of zombies versus humans, on a train to “Busan”; a “virus” ... Read More »

MR. SUNSHINE (SOUTH KOREAN: ENGLISH SUBTITLES) NETFLIX

Periodically one experiences a film, a television series so remarkably outstanding, that words to describe its potency have yet to be conjured; director Lee Eung-bok’s “Mr. Sunshine” is one of a few to populate this category; it seizes the celestial in every domain: commencing in 1871 a nine-year-old boy “Eugene Choi” flees Joseon after his parents are slain, they are ... Read More »

SHE DIES TOMORROW (On Demand)

I live in a magnificent, powerful, strong metropolis; a lake enhances its beauty, even its pandemic infections did not cauterize its optimism. Now “is the summer of our discontent” egregious factions are cannibalizing our streets, bulldozing commercial property, destroying at whim our civility, our neighborhoods; orchestrated destruction erasing confidence, hope, faith in a future of cohesiveness, tranquility, where factions are ... Read More »

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