Anthony Hopkins a cinematic chameleon, once again proves his divinity in his portrayal of “Anthony”, a wise man dealing with the uninvited invasion of dementia. He is blazing as he combats the unaccommodating specter of depreciation; the evaporation of control, memory and accountability. In the care of his daughter “Anne” (Olivia Colman, the English actor, “that keeps on giving”) we ... Read More »
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Billie Holiday (Eleanora Fagan, 1915-1959) as viewed through the lens of director Lee Daniels is flawed, but impressively watchable; Andra Day’s soaring interpretation of “Lady Day”, nascent jazz singer whose iconic gift and influence have resonated through the ages; Day mimics to perfection Holiday’s inimitable voice, style, and egregious drug addiction; astoundingly, she captures Holiday’s fearlessness, fortitude, in an era of segregation, where society was defined by color and the government held ... Read More »
Not being a fan of heavy metal, I initially skipped director Darius Marder’s study of an absence of sound, not a choice, a lifestyle; two respected cinephiles pleaded the worthiness of Marder’s scrutiny of profound hearing loss and its effect on musician, “Ruben” (Riz Ahmed) and his altered state. Growing up in a cacophonous household, I have always craved quiet, ... Read More »
THE WORLD TO COME (in theatres) Two contemporary films about same sex relationships that beg comparisons. Notably, the grander of the two is “The World to Come” directed by Mona Fastvold starring Katherine Waterston and Vanessa Kirby; two finely- tuned, intelligent women in boorish marriages, narrowly earning a livelihood in 1856; farmland unrelenting in its ruthlessness; even ... Read More »
Profoundly sad, agonizing to watch; director Chloe Zhao (“The Rider”) and actor Frances McDormand take viewers on an educated, unveiling journey; a journey, countless travel; those whose jobs, towns have vanished, consumed by advanced technology or outdated worthiness; “Fern” (McDormand at her peak of poetic dramatis) is “houseless”, not “homeless” as she, with the utmost dignity, in her battered van, ... Read More »
Admittedly, I had not heard of, nor read the book, “Guantanamo Diary” by Mohamedou Ould Salahi; a portrait of endurance despite horrific odds; he was imprisoned for fourteen years, on the flimsy pretext of an affiliation with Osama Bin Laden, at Guantanamo Bay; he was never charged; Salhi is blazingly, percipiently depicted by French actor Tahar Rahim (“The Prophet”); maintaining ... Read More »
Director Shaka King’s docudrama unveils, without sensationalism, the rise of the Black Panther Movement and its leader, Fred Hampton (1948-1969); Daniel Kaluuya is superb in capturing Hampton’s passion, dedication and vision in championing, recognizing that black lives do matter and deserve respect; poetically inspirational, with oratorical might Kaluuya gifts Hampton the lionization he earned and, especially in retrospect, deserves. Chicago, ... Read More »
A portrait of ugliness unseen since “Who’s Afraid of Virginia Woolf” (which was remarkable). Sam Levinson (Barry’s son) pits actors John David Washington and Zendaya (aka Richard Burton and Elizabeth Taylor) in a late night vivisection of souls and psyches, a mastication of meanness, cruelty ripped from the depths of heartlessness; one critic stated “after twenty minutes” exit, the bludgeoning, ... Read More »
Abashedly, I did not invest in the first two seasons; no apparent reason; the virtual milieu is bloated with multitudes of culprits, “sinners” and their motives, perpetually titillating my curiosity; the third season’s lure was the actor Matt Bomer. Like actors Tom Hardy, Tom Hiddleston, Thierry Godard, Ben Whishaw, Bomer is not dancing at the pinnacle of one’s roster of ... Read More »
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