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Monthly Archives: May 2021

A QUIET PLACE PART II & PROFILE (BOTH ONLY IN THEATRES)

Director John Krasinski’s second film about the hunted, haunted Abbott family is surprisingly better than the earlier “A Quiet Place”; it is tautly structured, synchronicity weaves its compelling coincidences involving humans out-maneuvering aerial aliens, keenly sensitive to sound, and presciently frightful to behold; there is magic in its meaning and profoundly acted by the previous cast, and a new member ... Read More »

FINAL ACCOUNT (IN THEATRES)

Documentarian Luke Holland (1948-2020) spent his life bringing to the fore man’s errors, injustices, crimes against mankind: campaigning on behalf of threatened tribal people; highlighting Ruby Kennedy’s campaign to compensate slave labourers under Hitler’s demonic regime; it is “Final Account” that will stabilize, confirm his legacy of intuitive brilliance; as a grandson of Holocaust victims; commencing in 2008 he interviewed ... Read More »

GEORGETOWN (AMAZON PRIME, APPLE TV, YouTube)

Christoph Waltz in his directorial debut and starring as the obsequious, uxorious “Ulrich Mott” (loosely based on the murder of socialite Viola Herms Drath) validates, once again, his transformative powers; with chameleon aptness he imbues Mott’s pathological gallantry with slithering, scintillating charm; he convinced Washington Grand Dame, “Elsa Brecht”, (indomitable Vanessa Redgrave) besting him by forty years, to become his ... Read More »

MINI MUSINGS FOR THE WEEKEND

“NEW ORDER” (PREVIOUSLY REVIEWED, THEATRES) SPANISH (ENGLISH SUBTITLES) A highlight of the 2020 Chicago International Film Festival. Excellent FIVE STAR study of civility versus savagery; enfranchised versus disenfranchised; brutal but brilliant analysis of wealth, spurring anarchy. Still resonating after almost a year. And still… FIVE STARS!!!!! “DREAM HORSE” (THEATRES) If you viewed 2015’s “DARK HORSE” and heartily enjoyed an unlikely ... Read More »

RADHE: YOUR MOST WANTED BHAI (HINDI: ENGLISH SUBTITLES)

The Bollywood genre is an acquired taste for many Westerners; I have been hooked, captivated, numbed by its magical realism for over twenty years: “Lagaan”, “Dil Chahta Hai”, “Like Stars on Earth”, “3 Idiots”, “Mr. and Mrs. Iyer”, “Mangal Pandey”; dominated by the unrelated Khan’s (Salman, Aamir, Shah Rukh) I can testify that I have studied their varied performances for ... Read More »

TO STREAM OR NOT TO STREAM

“THOSE WHO WISH ME DEAD”             HBO MAX & THEATRES Really? Angelina Jolie, with a face capable of launching a fleet of warships, Rapunzel tresses, a fire fighter? A role Frances McDormand could have pulled off; director Taylor Sheridan bombs with his choice of Jolie as his heroine; her attributes were a hinderance, detraction from, ... Read More »

RIDERS OF JUSTICE: DANISH: ENGLISH SUBTITLES (THEATRES) & WRATH OF MAN (THEATRES & HBO MAX)

“Revenge is best served cold”; two prime protagonists, serving vigilante reparation after the death of loved ones; Mads Mikkelsen stars as “Markus” a frigid, calculating Afghani soldier, returning to Denmark to avenge the death of his wife, killed in a horrific train accident; Mikkelsen’s deliciously terrifying performance anchors this sublimely well-written (writer/director Anders Thomas Jensen) scintillating scenario; beautifully balanced, “Riders ... Read More »

SATYAGRAHA OPERA IN SANSKRIT (ENGLISH SUBTITLES) APPLE TV

Explosively staggering, Philip Glass’s brilliant exegesis of Mahatma Gandhi’s (1869-1948) flowering as a pacifist, exponent of truth and non-violence is profoundly depicted by the Metropolitan Opera (original, premiered in 1980); Glass infuses “Satyagraha” with a blend of historical impacts on Mahatma’s (“great-souled”) youth, commencing with Russian author Leo Tolstoy (1828-1910), his philosophy of “Bread Labour”, and the value of “simplicity ... Read More »

LIMBO (IN THEATRES)

“Limbo” in Catholicism, is a bubble where souls of the unbaptized, hibernate until permission is granted to enter the celestial realm; in this scenario, it is a young Syrian refugee longing for permanent asylum on a sparsely populated Scottish island, where he, amongst other exiled, is waiting for the metaphorical gates to open. Director Ben Sharrock with irony and humor ... Read More »

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