“BULLET TRAIN” (in theatres) It has been a rather thin, squishy summer of film; a myriad of mediocrity unworthy of brain waves, exceptions: “Top Gun”, “Official Competition”, “Hallelujah”, “Vengeance” and the recently reviewed “The Good Boss”. To shun ennui, I visited “Bullet Train” (Brad Pitt the primary draw); superciliousness on steroids but for some inexplainable rationale I found myself enjoying, ... Read More »
“ORPHAN: FIRST KILL” (streaming & in theatres) Isabelle Fuhrman gives a sensationally eerie depiction of a serial killer afflicted with Highlander Syndrome (hypopituitarism, stunted physical growth); she looks twelve but is thirty-one; an orphan from Estonia who poses as an American child, abducted years ago; Julia Stiles, “Tricia” the despondent mother, is equal to the challenge of a newfound daughter. ... Read More »
Last Sunday’s New York Times’s extensive article on writer/director Michael Mann, concentrating on his upcoming movie “Heat 2”, piqued my interest in a film I had never seen; a film of exceptional power, staggering achievement, mesmerizingly dazzling; “Heat” should be seen by anyone who wallows willingly in film’s “absolute beauty, visual joy and dreamlike sensibility”. “Heat” is a crime tale ... Read More »
If one is commanded to watch one documentary a decade; “The Day the Music Died” is unequivocally, unmatched. From my first “listen”, “American Pie” with its bewitching lyrics, timelessness, inclusivity, sent chills from my brain, cascading through every organ, electrifying my soul and culminating in a dance, that even with age, takes flight and defies boundaries; I never experience life, ... Read More »
PERSUASION (NETFLIX) Novelist Jane Austen’s (1775-1817) “Persuasion” has survived a myriad of adaptations, many excellent, especially the 2007 version starring Sally Hawkins, Rupert Penry-Jones, Tobias Menzies; the 2022 Netflix rendition is an abomination; miscast, instead of electrifying, disastrously boring, using contemporary actors of all hues, squirming in their restrictive wardrobes, stilted dialogue, sprinkled with platitudeness cliches permeating an emotionless, limited scenario. Dakota Johnson’s (“50 Shades” celeb) valiant struggle ... Read More »
“INTIMACY” (SPANISH: DUBBED ENGLISH) NETFLIX A timely tale resonating with today’s invasive and chilling technology; a rising politician is surreptitiously filmed as she and her lover are carnally entwined on a deserted beach. Predictably, it goes viral, and the series evolves as the protagonists gallantly fight to resolve and cope ... Read More »
“PEAKY BLINDERS” 6TH SEASON NETFLIX In my estimation this season tops the others in writing, intense characterization and the effects of moral turpitude; Cillian Murphy, redolently ripe as “Tommy Shelby” sears as a man plagued by his misdeeds, its consequences, and religious retribution; farfetched, but reeks of legitimacy and the power of the mind to transcend reality. FOUR STARS!!!! ... Read More »
Doris Kearns Goodwin is the quintessential historian; with remarkable intelligence, insight and ultimate comprehension, she masters the lives, initiatives, goals, achievements of all her subjects: Abraham Lincoln (“Team of Rivals”), Franklin Roosevelt (& Eleanor)(“No Ordinary Time”) Lyndon Johnson (“And the American Dream”); it is the “Bully Pulpit”, focusing on Theordore Roosevelt (1858-1919) and his extraordinary life that Goodwin documents in ... Read More »
Double your pleasure, comfortably, with two stunners now watchable on Netflix. “Operation Mincemeat” is a captivating, engrossing enactment of a British 1943 mission of deception, a key to eventually besting the Germans in WWII; director John Madden (“Best Exotic Marigold Hotel”, “Shakespeare in Love”, “Miss Sloane”) with actors Colin Firth, Kelly Macdonald, Matthew Macfadyen portray an intensely intelligent, fiercely detailed ... Read More »
Foreign films have always held a deep-seated fascination for me; they demand a high level of concentration because of the subtitles and the edifying exposure to the intricacies of filmmakers from variant cultures; their appeal is enormously gratifying. Director Eskil Vogt’s (“The Worst Person in the World”) creepily brilliant tale of children, one with psychokinesis, determining a milieu devoid of ... Read More »
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