Days have lost delineation, season’s anticipations in limbo; monotony, intimidating, threatening benign ennui, Netflix to the rescue: “TIGER KING”: surprisingly compelling, the “catfighting” saga between “polar” forces: Joe Exotic, Carole Baskin, Don Antle, all under the guise of animal protection, procreation; as an urbanite I found the intensity of the protagonists captivating; producer Rick Kirkman, fairly narrates all sides of ... Read More »
“Thou shalt not kill” is the fifth of the proverbial ten commandments and Italy, the heart of the Holy See, throbs with Catholicism’s precepts; beating at the core of many Italian films and television series is a nonchalant, cavalier disregard for the “rules”; a sensual, delectable decadence pulsates redolently, enhanced by actors such as Sophia Loren, Marcello Mastroianni, Monica Bellucci, ... Read More »
Eric Lawson’s newest book, “The Splendid and the Vile: A Saga of Churchill, Family and Defiance During the Blitz”, and “The Red Lotus” a novel by Chris Bohjalian, disparate times, but astoundingly on point in today’s Dystopian reality; what London and its people withstood during traumatic WWII, in light of present realities, elicits strong comparisons; “The Red Lotus” clairvoyantly address ... Read More »
Possibly living so close to the edge, their series and films soar in depicting a world the masses could not envision. At this Dystopian hiatus, here are a few enthralling, captivating slices, experienced by a nation that dauntlessly refuses to die: Watch back to back: “SHITISEL”/ “SRUGIM”; (NETFLIX) Two versions of orthodoxy: “Shitisel” extreme Haredi Jews living in Geula, Jerusalem; ... Read More »
“INSPECTOR MORSE” (1987-2000): John Shaw, (1942-2002) is impeccable as a detective solving crimes in the elite environs of Oxford, England. “Morse” is the embodiment of a quintessential Renaissance man: cultured, sublimely well-read, inebriate of Opera, savant culprit decimator; for all his indurate instincts in the world of criminality, he is hopelessly naïve when his heart “lightly turns to love”; Shaw’s ... Read More »
For years Amazon Prime has serviced my rousing, perpetual interest in detective investigations, serial killers (in another life I was either a victim or perpetrator), forensic science; loving the elimination process, exclusion of the obvious, excavating the mendacious. I have suggested some of these in the past, but they are worth repeating, especially at this unsettled time: “SPIRAL” (French: English ... Read More »
HBO has long been a harbinger of quality, innovative entertainment (“Game of Thrones”, “Boardwalk Empire”, “Veep”, “Curb Your Enthusiasm”, etc.); here are a few recent programs that are binge-worthy distractions, from an enforced, monotonous, interminable confinement: “THE OUTSIDER”: filmic interpretation of Stephen King’s creepy, compelling story about the invasion of evil, assuming identities of the innocent; Cynthia Erivo is supernatural ... Read More »
Poland’s Catholic population is approximately 88%; Catholicism informs their lives, behavior, decision-making, asserting its supremacy, domination, channeling its tenets in all avenues of the individual’s existence. Polish director Jan Komasa and writer Mateusz Pacewicz with searing, intense uniqueness address the bifurcation of the man and the priest: the man, “Daniel” (outrageously beautiful Bartosz Bielenia) a juvenile delinquent with a bent ... Read More »
Director Marco Bellocchio’s “The Traitor” is blatantly honest in its depiction of the elitist microcosm known as the Cosa Nostra/Mafia: intransigent rules are enforced by its familial corps; extinction to those whose choices, actions go against the aged manifesto, a code of conduct, silence “omerta”; so keen is their elimination process, collateral damage is minimal. Tommaso Buscetta (1928-2000) was the ... Read More »
Vindication has never felt so rewarding; for years I have suffered defeat, going with my gut, shunning the odds, my head and heart in sync; faring better than I imagined, I recognized the brilliant uniqueness of “Parasite” with my first encounter, on a myriad of levels, the film soars beyond assumptions: Biblical, Shakespearian, mythological, Darwinian; Goethe stated “Before you…there are ... Read More »
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